藏書票的歷史，可追溯至15世紀文藝復興時期的歐洲。
當時德國印刷朮起飛，書籍產量也隨之大增。
貴族及讀者們對書籍珍而重之。
爲此，他們設計了一種小紙籤張貼在書籍扉頁上，為自己的藏書標誌。
藏書票小巧精致，印有獨特的圖案，以及拉丁文『Ex Libris』的字樣，意謂『我的藏書』，兼收華實之效。
藏書票題材廣泛，融匯不同的文化及藝術風格，反映藏書者的個性、品味及興趣，同時具有鼓勵閲讀、推廣創作、文化交流等意義，故有『紙上寶石』之稱。
由文藝復興時期至今，閲讀都是一場探索的旅程。書中的人和事都可啓發思維，誘發潛能。
Centuries ago,books were handcrafted works of art.Today,of course,they are readily available to us all.And yet they continue to flourish as expressions of our creativity and insight.
Ex libris bookplates first appeared in 15th century Renaissance Europe.Used as symbolic and decorative marks of book ownership,they,too,can be considered an art form.
Whether it is the brilliance of an author or the art of an illustrator that delights you,a book is an endless journey of discovery and beauty.
當時德國印刷朮起飛，書籍產量也隨之大增。
貴族及讀者們對書籍珍而重之。
爲此，他們設計了一種小紙籤張貼在書籍扉頁上，為自己的藏書標誌。
藏書票小巧精致，印有獨特的圖案，以及拉丁文『Ex Libris』的字樣，意謂『我的藏書』，兼收華實之效。
藏書票題材廣泛，融匯不同的文化及藝術風格，反映藏書者的個性、品味及興趣，同時具有鼓勵閲讀、推廣創作、文化交流等意義，故有『紙上寶石』之稱。
由文藝復興時期至今，閲讀都是一場探索的旅程。書中的人和事都可啓發思維，誘發潛能。
Centuries ago,books were handcrafted works of art.Today,of course,they are readily available to us all.And yet they continue to flourish as expressions of our creativity and insight.
Ex libris bookplates first appeared in 15th century Renaissance Europe.Used as symbolic and decorative marks of book ownership,they,too,can be considered an art form.
Whether it is the brilliance of an author or the art of an illustrator that delights you,a book is an endless journey of discovery and beauty.
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